This paper explores the persistence and ubiquitous spread of the stencil as a vehicle for mass–produced street art, made especially popular through the iconic work of British street-artist Banksy. At the other extreme are the stencil-cutters, who by comparison are regarded within the peer community of the subculture, as lesser writers, relying on craft skills that are held to be quaint, even fraudulent. At the apex are those writers who create the imposing wildstyle exhibition pieces, large-scale vivid inscriptions that require a high degree of graphic invention and daring. Contemporary graffiti artists, or ‘writers’ as they are known, observe a strict hierarchy that self-ranks ambition, daring and calligraphic innovation.
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